
Selected works


Ah young Kang
신수렵도, 2024
Color on Korean paper (Jangji), 50 × 50 cm
Ah young Kang
너희가 사랑한 계절, 2024
Color on Korean paper (Jangji), 53cm x 65.1 cm


Ah young Kang
겨울놀이터, 2025
Color on Korean paper (Jangji), 100 × 100 cm
Eunchi Chong
A Stone with Moss, 2015

Mixed media on Sunji paper, 74 × 72 cm

Eunchi Chong
The Child I Know, 2016
Conté, ink, and pigment on Sunji paper, 75 × 72 cm
Eunchi Chong
Through Several Summers, 2025

Conté and pigment on Sunji paper, 75 × 72 cm

Oh Jeong
The Moonjar...Holds All Good Things, 2026
Acrylic and mother-of-pearl on canvas, 50cm x 50cm
Oh Jeong
The Moonjar...Holds All Good Things, 2026

Acrylic, mother-of-pearl, and 24K gold on canvas, 50cm x 50cm

Oh Jeong
The Moonjar...Holds All Good Things, 2026
Acrylic, mother-of-pearl, and 24K gold on canvas, 50cm x 50cm
Oh Jeong
The Moonjar...Holds All Good Things, 2026

Acrylic and 24K gold on canvas, 50cm x 50cm

April EJ Oh
MOTHER WOMB II, 2026
Mosi (Ramie), Nobang (Silk Organza),
Oksa (Silk Organdy), Silk Gauze, Hanji in Canvas Frame, 18" × 24"
April EJ Oh
ISOLATION II, 2026
Mosi (Ramie), Nobang (Silk Organza),
Oksa (Silk Organdy), Silk Gauze, Hanji in Canvas Frame, 18" × 24"

April EJ Oh
INHERITED FRAGMENTS, 2026
Mosi (ramie), nobang (silk organza), oksa (silk organdy),
hanji, and polyethylene in canvas frame, 16" × 20"

April EJ Oh
BOUNDARY, 2025
Mosi (ramie), sambae (hemp), nobang (silk organza),
oksa (silk organdy), silk gauze, and hanji in canvas frame, 16" × 20"

April EJ Oh
SILENT GRID IX, 2026
Mosi (Ramie), Nobang (Silk Organza), Paper Mache in Canvas Frame, 8" × 10"
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April EJ Oh
UNTITLED, 2020
Gouache on paper, 8" × 10"
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April EJ Oh
SILENT GRID VII, 2026
Mosi (Ramie), Nobang (Silk Organza), Paper Mache in Canvas Frame, 8" × 10"

April EJ Oh
UNTITLED, 2020
Gouache on paper, 8" × 10"

Jung Yeon Shin
Naked Flower C, 2024
Arcylic on canvas, 24" x 30"

Jung Yeon Shin
Someday Somewhere, 2026
Arcylic on canvas, 24" x 30" *2 (diptych)

Sol Kang
Save Me, 2024
Mixed media on linen, 53 x 33.3 cm

Sol Kang
Maiden Room, 2023
Mixed media on linen, 65.1 × 53 cm

Sol Kang
Vague, 2023
Mixed media on linen, 53 x 45.5 cm

Sol Kang
Never Mind, 2023
Mixed media on linen, 53 x 45.5 cm

Karo Kuchar
Time flies, 2026
Organza fabric, cotton, 40 x 50 cm

Karo Kuchar
Untitled, 2025
Organza fabric, cotton, 21 x 27 cm

Karo Kuchar
Birth Walls, 2025
wall plaster (Semmelweissklinik) on organza fabric, 36 x 47 cm

Noushin Redjaian
it feels a bit strange, 2025
Kilim carpet, Fars, Iran, steel, potassium aluminium sulfate, 54 x 19 cm

Noushin Redjaian
Finding its way through the narrow opening, 2026
Ghom carpet / Iran, steel, potassium aluminum sulfate, 19 × 11 cm

Noushin Redjaian
I adore thy locks, 2026
Indian silk carpet / Kashmir, steel, potassium aluminum sulfate, 19 × 11 cm

Noushin Redjaian
opening in its own time, 2026
Indian carpet / reproduction of a Persian carpet, steel,
potassium aluminum sulfate, 19 × 11 cm

Noushin Redjaian
a world glimpsed through a narrow opening, 2026
Modern Afghan carpet, steel, potassium aluminum sulfate, 19 × 11 cm

Kristina Kulakova
Streamline lit
Fine art print mounted on aludibond, framed, 20 x 30 cm

Kristina Kulakova
Streamline gone
Fine art print mounted on aludibond, framed, 20 x 30 cm

Kristina Kulakova
Abundance Structure, 2025
Fine art print mounted on aludibond, framed, 28 x 21 cm
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Kristina Kulakova
Abundance Structure (green), 2025
Fine art print mounted on aludibond, framed, 28 x 21 cm
PAST EXHIBITION
Three by Three
한국·미국·오스트리아 여성 작가 9인전
EXHIBITION DATE
2026. 09. 01 - 2026. 09. 21
statement
ARTISTS
Vienna, Austria—the center of European culture and history—and Los Angeles, a sanctuary of progressive contemporary art, gather here in Seoul, the vibrant epicenter of today’s K-art scene.
We bring together nine active female artists, three from each city, spanning generations from their 20s to 80s.
If there exists a beauty that cuts across three distinct continents, time zones, cultural spheres, and historical backgrounds—what might that beauty be?
Starting in Seoul, this exhibition embarks on an extended journey to Los Angeles, USA, in January and Vienna, Austria, in March.
As the artworks travel to each artist's home city, they will engage in a silent dialogue on a beauty that transcends the boundaries of language.
유럽 문화와 역사의 중심 오스트리아 비엔나, 진보적 동시대 예술의 성지 로스엔젤레스가 서울, 오늘날 가장 역동적인 K-아트의 본진에 함께 모였습니다.
각 도시에서 활발히 활동 중인 여성 아티스트를 3명씩 총 9명, 20대부터 80대까지 한 곳에 모았습니다.
3개의 다른 대륙, 다른 시간대, 다른 언어-문화권, 그리고 다른 역사성을 관통하는 아름다움이 존재한다면, 그 아름다움이란 무엇일까요?
이 전시는 서울에서 시작해 1월에 미국 로스엔젤레스, 3월에 오스트리아 비엔나로 긴 여정을 떠나게 됩니다.
참여 작품들이 각국 아티스트들의 고향에 초대받아 방문하고 그 여정을 함께하며 언어의 경계를 초월한 아름다움에 대해 무언의 대화를 나눌 것입니다.
Ah Young Kang
Eunchi Chong
Jeong Oh
April EJ Oh
Jung Yeon Shin
Sol Kang
Karo Kuchar
Kristina Kulakova
Noushin Redjaian
CURATED BY
Hyunmin Kim
VENUE
Yangyang Building 1F
273-13 Wangshimni-ro, Seongdong-gu, Seoul, Korea
In East Asian philosophy, the Five Elements are more than merely the foundational components (Water, Fire, Metal, Earth, and Wood) that construct our universe. They represent the dynamic principle of movement threading through infinite time and space, as well as the human organism. At their intersections, they dictate the cyclical laws where creation, extinction, mutual generation, and mutual constraint endlessly interplay. These five energies encourage one another, at times restraining and at others permeating, ultimately forming a singular, harmonious source. In today’s fast-paced contemporary world, we live in an era marked by uncertainty and division. Amidst noisy disputes devoid of philosophy, the cyclical thinking of the Five Elements emerges anew as a language of harmony and a philosophy of regeneration, bridging human to human, humanity to nature, and past to future. It reminds us that despite our differences, we can coexist, and that every existing entity possesses its own innate worth. For this exhibition, five artists, each embodying one of the Five Elements, transcend the boundaries between emerging and established, visual and interdisciplinary arts, time and space, and creator and audience. Together, they resonate and reflect in unison. We invite you to stroll through this flow of time where the works of these five artists harmoniously intertwine along the path of the Five Elements, here at H.art1, a sanctuary where art gazes toward the future upon the historic grounds of Euljiro. 동아시아 사상에서 오행(五行)은 우주를 구성하는 핵심인 다섯 원소(水·火·金·土·木)일 뿐만 아니라, 무한한 시공간(宇宙)과 인간이라는 유기체를 관통하는 운동의 원리이자 그 경계에서 발생하는 생성과 소멸, 상생과 상극이 끊임없이 교차하는 순환의 법칙을 뜻합니다. 이 다섯 기운은 서로를 북돋우며(동同), 때로는 억제하기도 스며들기도 하며(심沁), 그 안에서 하나의 규칙(원源)을 형성합니다. 가파른 현대 사회에서 우리는 불확실성과 분열의 시대를 살고 있습니다. 철학 없는 논쟁이 난무하는 이 시대, 오행의 순환적 사유는 인간과 인간, 인간과 자연, 과거와 미래를 이어주는 ‘조화의 언어’, ‘재생의 철학’으로 새롭게 재조명되고 있습니다. 우리가 서로 달라도 여전히 함께 할 수 있음을, 존재하는 모든 것에는 그에 걸맞는 가치가 있음을 되새기게 합니다. 이번 전시에서 오행의 각 원소를 품은 다섯 작가들은 신진과 중견, 시각 예술과 복합 예술, 시간과 공간, 나아가 작가와 관객의 경계를 뛰어 넘어 서로 공명하며 함께 사유합니다. 역사가 흐르는 땅 을지로, 그 위 예술의 미래를 향하는 하트원에서 다섯 작가들의 작품이 오행을 따라 조화롭게 얽히고 흐르는 시간을 함께 거닐어 보세요.







